The Nightmare

A sleeping woman in white lies draped across a bed while a goblin crouches on her and a ghostly horse peers through the curtains. The figure holds the centre of the canvas, and everything around it, from the fall of the light to the setting, is there to bring it forward. Look closely and the details carry as much of its character as the face itself.

Its palette, measured from the canvas, is led by ink, with chocolate and greige in support: a low-lit, warm picture. Those warm tones give it a glow that comes alive in lamplight and deepens as the evening draws in. The wide format lets the scene unfold from side to side, with something new to find towards its edges.

A wide canvas like this one is a natural focal point above a sofa, a sideboard or a bed, where its width can carry the wall. It brings a little theatre to a room for the autumn season, and keeps its mystery all year. Ink and chocolate are easy to echo in cushions, a throw or a painted wall nearby, and it holds its own in a mixed gallery wall.

Henry Fuseli made the original in 1781; in the collection it is listed under Romanticism. It has the spirit of Romanticism, where mood, weather and feeling matter as much as the scene itself. This painting is printed to order on gallery-wrapped canvas in 30 × 40 cm or 40 × 60 cm, from the image you see here. The canvas wraps around its frame, so it arrives ready to hang, with no framing needed. Want yourself in it instead? Add a photo and see your portrait free before you order.